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Recent/Blog

News and blog posts about recent works, workshops, events, presentations, expeditions and exhibitions by Canadian artist David McEown.

Commander Frank Wild Returns to South Georgia

David McEown

It was a privilege to witness the return of the great polar explorer, Commander Frank Wild, back to South Georgia. It was Frank Wild’s wife’s wish to have him buried in South Georgia and it was fitting to have his ashes reunited along side his friend Sir Ernest Shackleton.

The attached video captures some of the highlights we shotfrom the service that was attended by relatives of Frank Wild as well as Alexandra Shackleton, Sir Ernest’s granddaughter.

This historic event became a possibility when Frank’s ashes were discovered by the efforts of Angie Butler during her writing of the book “The Quest for Frank Wild”. It is a fascinating and informative read about this great but unsung man. Also it includes his unpublished memoirs from the “heroic” age of polar exploration.

After filming the morning service I spent all afternoon pacing along the shoreline of Grytviken trying to find a composition that would capture the significance of the day.  In late afternoon light I found a perch just above the cemetery overlooking the bay.  The scene was overwhelming to paint in the few hours left so after several tries I simplified the composition using only the top part of Shackleton’s  grave stone in lower right as well as one cross. These suggestions give room for directional lines to pull the viewer across to the church and the last light on the abandoned whaling station.  Thanks to One Ocean Expeditions formaking this event possible.

Grytviken, South Georgia
Grytviken, South Georgia

Frank Wild wrote of Shackletons’s grave site (from Angie Butlers book):

“Grytviken is a romantic spot. All around are big mountains, bold in outline and snow covered. Below lies one of the most perfect little harbours in the world, at times disturbed by the by the fierce winds from the hills and lashed by gusty squalls to a mass of flying spume and spindrift. Often it lies calm and peaceful, bathed in glorious sunshine and reflecting in its deeps the high peaks around, whilst the sea birds, “souls of old mariners,”circle in sweeping flights above its surface and fill the air with the melancholy of their cries. An ideal resting place this for the great explorer who felt, more than most men, the glamour of such surroundings”

Return to Antarctica and South Georgia

David McEown

In November 2011 I will be returning to Antarctica and really look forward to visit South Georgia again. This special expedition will be taking the ashes of explorerFrank Wild to South Georgia where he will be buried besidehis “boss” and loyal friend Sir Ernest Shackleton. Mr Wild was Shackleton’ right hand man and played a huge role in the 1914-1916 Imperial Trans-Antarctic  expedition  . As secondin command he was left in charge of 21 men on a desolate rock on Elephant island while Shackleton and crew of 5 made the epicrescue mission to South Georgia in a lifeboat. From April 24th to August 30 (winter in antarctica) , Wild and men waited until rescued on a rock now called Point Wild. They all survived. Attached on this post issome short video clips from a previous trip to Elephant Islandand a taste of theincredible wildlifeand painting-photography opportunities at St. Andrews Bay on South Georgia Island.

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Last week I was honoured to receive  the Curry's , Da Vinci award, in recognition of the  painting   "Paradise Bay, Antarctica' . For several years now I have painted on the great white continent and always find inspiration in its natural  beauty and endless abstractions of form. Witnessing climate change among the massive ice shelves, and glaciers, I contemplate this melting flow of water that effects us all. Watercolour is an ideal medium for attempting  to capture the light and flow of this journey  and i am grateful to share this painting at this Canadian Society of Painters in Watercolour  open international juried exhibition in Toronto.

"Paradise Bay, Antarctica",
"Paradise Bay, Antarctica",

Pacific Spirit Regional Park

David McEown

Denali, Watercolours from Alaska

David McEown

Denali Sunrise
Denali Sunrise

In early September, autumn is well on its way in Denali National Park, Alaska.  While hoping to capture a glimpse of Denali, North America's highest mountain, i focused painting on site trying to capture the mountain light and weather played out on the multi-hued tundra. The following 3 minute video highlights the painting process.

The main base to work from was at the Wonder Lake Campground where one is dropped off by park bus as there are no cars permitted in the Park.  However, for a different view and excellent food, rest, and knowledgeable guides, we also stayed at the beautiful Camp Denali for 3 nights.

"Denali #2" 12 in. x 22 in. watercolour
"Denali #2" 12 in. x 22 in. watercolour
Painting Mirror Lake
Painting Mirror Lake
Denali, North Face
Denali, North Face

Lake Superior Paintings

David McEown

The painting is one of a few recent large commissions inspired by Lake Superior’s coastal trail in autumn. The complexity and technical challenges are exciting to take on and are sometimes over the top!

This 26 by 62 inch watercolour was painted on 140lb Arches cold press that comes on a roll of 44 inches by 10 yards.  Cutting off the roll allows custom sizes in which in the past I have done watercolours up to 72 by 176 inches.  Not cheap, but when framed with non-reflective UV90 museum glass the results can be wonderfully rare and transcendent.

Coastal Trail, Lake Superior
Coastal Trail, Lake Superior

Often large works have some sort of plan going, and being a studio piece photo reference is used. However I like to leave room for  the image to evolve and use memory and imagination, thus I do not pre draw to much. When it comes to rocks, each one is a portrait interrelated to another by wear and reflection if wet, so they have to be well seen to be believable. I love the natural spirals and inner rhythms of a boulder beach. Even though it is a representational painting I basically just paint a dance of light and dark coloured shapes that grow and interlock with each other that hopefully create a hierarchy of entertaining focal points that sing a reverent song of place throughout the illusion of space.

Gichigami
Gichigami

Antarctic Peninsula

David McEown

Sometimes a question is asked at my presentations, why do you paint on location? Why not just take a picture? The act of painting and observing on location for me is a meditation, a way of connecting with the moment and being fully present and aware of "place". Taking in the coloured shapes and inhale them through the body, feel it in the heart and transfer them through the hand, brush and paper. Often good painting is accumulations of this state of attention, a collage of many of the experiences that have happened. Through out a session I am also inspired to take photos and I find that by being still and in one spot often provide great opportunities for close wildlife encounters. I love to watch the tides and currents at play with the ice floes, creating endless compositional dances lit with unearthly Antarctic light. It is here the camera is really handy at capturing those incredible never to be repeated moments.  Thanks again to One Ocean Expeditions for taking us there and we really look forward to do it again later this year!

Painting from the lookout above Neko Harbour.
Painting from the lookout above Neko Harbour.
"Lemaire Channel Sunset"  7in x15in watercolour
"Lemaire Channel Sunset" 7in x15in watercolour