Contact David Mceown

Many thanks for visiting my web site. We are often on assignment  or on a painting trip but will try to reply to your messages as soon as possible!

Studio visits also  may be arranged in Vancouver and Richmond Hill - Ontario,  Canada through out the year. I  look forward to hear from you.

 

 

         

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Recent/Blog

News and blog posts about recent works, workshops, events, presentations, expeditions and exhibitions by Canadian artist David McEown.

Filtering by Tag: 140lb cold press

Painting In The Great Bear Rainforest

David McEown

The following paintings were inspired from an amazing boat trip to the "Great Bear Rainforest ", in British Columbia's central coast.  Along with   several other colleagues and a wonderful crew aboard the Columbia III , we  were part of  a large gathering of artists working to raise awareness of the rich  fragile  beauty of this place that is threatened with   a new proposed oil  pipeline and supertanker traffic sailing through some of the most bio diverse and rich eco systems on the planet. For more information on the "Artists for an Oil Free Coast " project   please visit the Raincoast  Conservation Foundation Website.  A wonderful coffee table book of paintings and writings from the project is now available!

The Great Bear Rainforest
The Great Bear Rainforest
Fiord Lands
Fiord Lands
Fiord Lands
Fiord Lands
Receding Tide
Receding Tide
Fiordlands study n.3
Fiordlands study n.3
The Outer Islands
The Outer Islands

2012 Whistler and Gibsons Summer Workshops

David McEown

Wave study n.1
Wave study n.1

Many thanks again to the organizers and the participants that persisted through wonderfully challenging exercisesatthe 2 workshops I gave this summer. Both theWhistler Arts Council's Workshops on the Lake, and Gibsons School of the Arts have annual fine art programs with a variety of quality instruction. We were blessed with wonderful weather that enabled on site painting right from the studio deckor to long walks on the beach after   ahard studio work outon the sunshine coast!

_PAC0819
_PAC0819

From the our subject of moss-covered waterfalls to shoreline waves, watercolour’s magical flowing spontaneity and ethereal softness as well as its ability to make crisp highly defined form were explored.  We focused on colour mixing, values, negative shape reading(no masking fluid or tricks!), creating depth and  controlling the hierarchy of focal point.

ctm12_001a
ctm12_001a
Coastal waterfall n.1
Coastal waterfall n.1

I am looking forward to conducting informal art workshops on expedition cruise ships later this summer in the arctic and later this year in the antarctica summer. More Upcoming workshops will be posted soon.

Pacific Spirit Forest Series

David McEown

Denali, Watercolours from Alaska

David McEown

Denali Sunrise
Denali Sunrise

In early September, autumn is well on its way in Denali National Park, Alaska.  While hoping to capture a glimpse of Denali, North America's highest mountain, i focused painting on site trying to capture the mountain light and weather played out on the multi-hued tundra. The following 3 minute video highlights the painting process.

The main base to work from was at the Wonder Lake Campground where one is dropped off by park bus as there are no cars permitted in the Park.  However, for a different view and excellent food, rest, and knowledgeable guides, we also stayed at the beautiful Camp Denali for 3 nights.

"Denali #2" 12 in. x 22 in. watercolour
"Denali #2" 12 in. x 22 in. watercolour
Painting Mirror Lake
Painting Mirror Lake
Denali, North Face
Denali, North Face

Lake Superior Paintings

David McEown

The painting is one of a few recent large commissions inspired by Lake Superior’s coastal trail in autumn. The complexity and technical challenges are exciting to take on and are sometimes over the top!

This 26 by 62 inch watercolour was painted on 140lb Arches cold press that comes on a roll of 44 inches by 10 yards.  Cutting off the roll allows custom sizes in which in the past I have done watercolours up to 72 by 176 inches.  Not cheap, but when framed with non-reflective UV90 museum glass the results can be wonderfully rare and transcendent.

Coastal Trail, Lake Superior
Coastal Trail, Lake Superior

Often large works have some sort of plan going, and being a studio piece photo reference is used. However I like to leave room for  the image to evolve and use memory and imagination, thus I do not pre draw to much. When it comes to rocks, each one is a portrait interrelated to another by wear and reflection if wet, so they have to be well seen to be believable. I love the natural spirals and inner rhythms of a boulder beach. Even though it is a representational painting I basically just paint a dance of light and dark coloured shapes that grow and interlock with each other that hopefully create a hierarchy of entertaining focal points that sing a reverent song of place throughout the illusion of space.

Gichigami
Gichigami